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Protagonist

A Collaborative Voice: Director Amber Sealey on Helping ‘Out of My Mind’s Nonverbal Protagonist Be Heard

Director Amber Sealey shares how she and screenwriter Daniel Stiepleman used voiceover, action, and editing to develop and empathize with protagonist Melody’s voice.

Valerie Kalfrin
‘The Phantom Menace’ and Multi-Protagonist Story ArcsBryan Young
Breaking & Entering: Terrific Trios – The Power of Three Characters – The Rule of Threes Part 2Barri Evins
Paradox, Pressure and Metaphor in “Joker”Barry McEvoy
MEET THE READER: Five Questions to Ask (and Answer) Before You Start WritingRay Morton
MEET THE READER: Act I — Getting Your Protagonist Off to a Good StartRay Morton
MEET THE READER: Components of Screen Storytelling – The ProtagonistRay Morton
STORYTELLING STRATEGIES: Sicario’s Vanishing Main CharacterPaul Joseph Gulino
WENDY’S LA4HIRE: Great Screenplay Writing, Part 1 – Longing & DesireWendy Kram
SCRIPT NOTES: Can the Protagonist Be the Antagonist?Michael Tabb
SCRIPT NOTES: Major Character Types – “Protagonist”Michael Tabb
SCRIPT NOTES: Who is the Hero?Michael Tabb
Must Your Hero Have A Story-Level Goal?Ivo Raza
Storytelling Strategies: ‘Frozen’ ExpectationsPaul Joseph Gulino
Script Tip: What’s The Latest Thing Your Main Character Learned?Marilyn Horowitz
Specs & The City: Bad Guy Protagonist and ‘Dexter’Brad Johnson

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