Ray Morton shares guidelines on choosing if you should write a screenplay for art or for commerce.

What are the key ingredients to a great story? William C. Martell examines the box-office hit, Jumanji: Welcome to the Jungle, showing how the writers take the audience on an emotional journey.

Michael Tabb demystifies the use of flashbacks, why they don't always work, and how to create more effective and compelling flashbacks and voiceovers in your screenplays.

Strong writing takes time because it demands deep thinking. Barri Evins offers pointers and examples on when to put enthusiasm on hold and slow your roll.

Heather Taylor gives an overview of Evil, a new CBS series by the Robert and Michelle King, featured at the 2019 Tribeca TV Festival in New York City.

Heather Taylor interviews Sherry White, Showrunner of CBC's Little Dog about writing room tips, breaking into television and more!

Comedy guru Evan Smith explains how bad decisions can become a writer’s best friend.

Showrunner of Upstairs Amy Duana Taha discussing the showrunning process for a digital series, what it’s like working with brands, and how you navigate that as a creator.

Susan Kouguell speaks with "Parasite" editor Jin-mo Yang about his collaboration with Director Bong Joon Ho, defying the rules of genre, and finding the rhythm of the film.

Natalia Megas talks with writer-actor India Ennenga about her college degree in writing and her insights into a varied artist career.

Writer/Director Adam Egypt Mortimer returns to the Selling Your Screenplay Podcast for a second time to talk about his new Thriller "Daniel Isn't Real" (2019). The movie's cast includes Patrick Schwarzenegger, Sasha Lane and Miles Robbins.

Susan Kouguell speaks with Anne McCabe ACE, editor of "A Beautiful Day in the Neighborhood," who started as an Apprentice Editor in the cutting rooms of Woody Allen, Brian de Palma and Sidney Lumet.

Ray Morton shares guidelines on choosing if you should write a screenplay for art or for commerce.

Writer/Director/Actor Wendy McColm talks about her debut comedy movie Birds Without Feathers. She discusses why filmmakers need to get their contracts in order, and what it takes to get an indie film made.

While it requires an enormous investment of time and energy, it is possible to network your way to a screenwriting career.

Barri Evins interviews writers David Diamond & David Weisman revealing their unique techniques that elevate scripts and propelled them to career success.