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Emotionally Truthful on the Page: An Interview with ‘Unstoppable’ Screenwriter John Hindman
Screenwriter John Hindman talks about his approach to tackling this true story adaptation, why ‘What is it about?’ was crucially important to staying on the straight and narrow path of the story, to his personal connection and bond with Anthony Robles, and so much more.
Lessons from the Script: 'September 5' and an Inside View of Tragedy
The screenplay for 'September 5' offers a few lessons on how to integrate exposition and use an audience’s expectations to heighten the drama and tension.
Novelist Turned Showrunner Blake Crouch Dives into the Sci-Fi Realm of 'Dark Matter'
Blake Crouch shares some challenges and rewards in adapting his own work.
The Manipulation of Stories and Specificity of Character with 'Dune: Prophecy' Showrunner Alison Schapker
Alison Schapker talks about the development and adaptation process, character development, her emotional connection to the story and characters, women’s roles in the Dune universe, navigating a world full of truth and lies, exploring sexuality in storytelling, and more. Plus, she offers great advice on adapting existing IP with a strong fanbase.
Meet our contributors
Unmade Tales: 'Lodestar'
Welcome to the first installment of “Unmade Tales,” a new series in which we’ll spotlight scripts by pro writers that, because of the vagaries of the film industry, are unmade, or, as Joe O’Brien, co-writer of 'Lodestar,' this article’s focus, says, “have yet to be made.”
Pulling the Curtain Back at Script Magazine with Editor-In-Chief Sadie Dean and Senior Contributing Editor Susan Kouguell
We each come from a unique position as filmmakers ourselves, which offers a shorthand, not to mention inspiration, when interviewing screenwriters and filmmakers.
Writer-Director Mike Leigh Talks about His New Indie Gem, 'Hard Truths'
Seven-time Academy-award nominee Mike Leigh, known for coaxing hyper-realistic performances from his actors through months-long collaborative rehearsal processes, spoke to Script Magazine about bringing emotional truth to 'Hard Truths'.
Interview with 'The Brutalist' Filmmakers Brady Corbet and Mona Fastvold
Brady Corbet and Mona Fastvold talk about their award-winning film 'The Brutalist', including their writing collaboration, the sacrifices and support within creative partnerships, their personal connections to architecture, and the challenges of funding films.
Selling Your Screenplay Premium Collection
Congratulations, you did it! You wrote a screenplay. You've poured your heart and soul into it, did rewrite after rewrite, and it is ready! But now what?
NEW! Developing Your Voice on the Page
The key to juggling all these conflicting demands lies in developing your screenwriting voice; the unique quality of a script that only you can bring to the page, and which will leave a lasting impression on your reader.
Recent Stories
Interview with 'The Brutalist' Filmmakers Brady Corbet and Mona Fastvold
Brady Corbet and Mona Fastvold talk about their award-winning film 'The Brutalist', including their writing collaboration, the sacrifices and support within creative partnerships, their personal connections to architecture, and the challenges of funding films.
Emotionally Truthful on the Page: An Interview with ‘Unstoppable’ Screenwriter John Hindman
Screenwriter John Hindman talks about his approach to tackling this true story adaptation, why ‘What is it about?’ was crucially important to staying on the straight and narrow path of the story, to his personal connection and bond with Anthony Robles, and so much more.
Interview with 'The Seed of the Sacred Fig' Award-Winning Writer and Director Mohammad Rasoulof
In this wide-ranging discussion, Mohammad Rasoulof reflects on his many years of dealing with censorship and the intelligence services, his imprisonments, his challenges in balancing the story for Iranian and non-Iranian audiences, and the time and safety constraints making the film clandestinely.
SELLING YOUR SCREENPLAY: Ep. 530 - I Shot 2 Movies On My Phone With Jamie Grefe
Indie filmmaker Jamie Grefe talks about how he recently wrote and produced four movies and how two of them were shot on his phone in only one day, and how Roger Corman would inspire this horror movie genre with titles such as 'The Slumber Party Massacre'.
Creative on Her Own Terms: How 'The Last Showgirl' Screenwriter Kate Gersten Finds Discipline Through Dance
Kate Gersten shares how inspiration for 'The Last Showgirl' struck more than a decade ago and how the film explores what qualifies as art.
UNDERSTANDING SCREENWRITING: Oldies and Newbies, Take Your Pick
So here is a mix of newbies such as 'Blitz', 'Gladiator II', 'Day of the Fight', and 'Here' and oldies like 'Crossroads' and 'Doctor Zhivago', and maybe the last of one that has been around for a while, 'Yellowstone'.