What exactly *is* low budget? Does it mean no space ship battles? Just a small drama? Writing for budget is complicated, and a small drama might be more expensive than an action screenplay. In Part 2, we look at the importance of Genre, how Interesting Structures can elevate your story, and avoiding the Uncontrollables

Screenwriters and filmmakers often impact society in ways never expected. Frank Deese explores the "The China Syndrome" - the film that launched Hollywood's social activism - and the effect the film had on the world's view of nuclear power plants.

Host Gray Jones interviews Elaine Loh, TV writer on the new "Gossip Girl" and "Dynasty," and also award-winning film writer/director and actor.

Host Gray Jones interviews Michael Jamin, TV comedy writer and showrunner who has written on such shows as "King of the Hill," "Maron," and "Beavis and Butthead," and is currently a consulting producer on "Tacoma FD."

Readers are the gatekeepers to Hollywood, and their coverage can make or break your chances of success. ScriptHop Co-Founders create an innovative way to present your work to industry executives that changes the game for pitching and selling your screenplay.

Having evaluated hundreds of scripts and coached hundreds of screenwriters over the years, Dave Trottier shares 20 screenwriting myths that don’t square with reality.

James Di Martino, Australian writer/director of the Horror movie "The Faceless Man" (2019), discusses how he went from a marketing background into making shorts and now a feature film. James talks about running a Kickstarter campaign, and how he started his own production company.

Susan Kouguell shares insights from Steve McQueen about "Lovers Rock," a film in his new five-film anthology, showing at the New York Film Festival.

Having evaluated hundreds of scripts and coached hundreds of screenwriters over the years, Dave Trottier shares 20 screenwriting myths that don’t square with reality.

Even professional screenwriters need ways to rev their writing engines. Script found a Twitter screenwriting tip from filmmaker Magda Olchawska, where she shared 12 writing exercises from Aaron Sorkin.