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Structure & Style in Franchise Cinema: The ‘90s Hits That Shaped Us

What makes everything old new again, why we keep going back, and how we can learn from it all as writers to keep it recognizable but fresh.

Los Angeles Festival of Movies (LAFM) Announces Additional Programming in the 2025 Script Magazine

UNDERSTANDING SCREENWRITING: An Oldie and Some Newbies Tom Stempel

Bite Size Oscar History: The First Oscar for Best Picture Sonya Alexander

All Media Access 2025 (Part One)William C. Martell

2025 Film Preview Sonya Alexander

UNDERSTANDING SCREENWRITING: It’s Awards Groveling Season Again, and Here Are a Few of the Grovelers and Some Other Stuff Tom Stempel

From Silent Murder Mysteries to Andy Hardy’s Americana, Agnes Christine Johnston Wrote it All Dr. Rosanne Welch

UNDERSTANDING SCREENWRITING: Four, Count’em Four, Movies With Flawed Endings. And a Good Book.Tom Stempel

‘Blitz,’ ‘The Room Next Door,’ and ‘Suburban Fury’ at the 2024 New York Film Festival Susan Kouguell

Examining Relationships in ‘Hard Truths,’ ’Việt and Nam’ and ‘Happyend’ at the 2024 New York Film Festival Susan Kouguell

UNDERSTANDING SCREENWRITING: Two Mediocre Newbies and Two Great Classics Tom Stempel

The Portrayal of Actual Events in ‘Nickel Boys,’ ‘The Ballad of Suzanne Césaire,’ ‘Maria,’ and ‘Afternoons of Solitude’ at the 2024 New York Film Festival Susan Kouguell

2024 Telluride Film Festival Report – Last Day and Conclusions Christopher Schiller

UNDERSTANDING SCREENWRITING: The Debris of Summer Tom Stempel

2024 Telluride Film Festival Report – Day 2 – Everybody’s Unique Christopher Schiller

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