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Is “Manipulation” a Good Word for Screenwriters?

If writers are not keeping an eye on how to manipulate our audience, then what the heck are we doing?

Tim Schildberger
What We Want – And Why Aren’t We Getting ItTim Schildberger
Script Magazine Contributor’s Helpful New BookScript Magazine
Memo to Studios – July 2023Tim Schildberger
IP or not IP? The Case For Original Voices in ScreenwritingLarry Postel
Why The Audience Is More Important Than YouTim Schildberger
Why Are They Always Blaming the Audience?Tim Schildberger
Five Good Reasons for an Author to Record an AudiobookClive Frayne

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