SITCOM SUCCESS: Writing Act II

If you have ever wondered if you could write a perfect pilot fast – the answer is yes! Join Marilyn Horowitz for: Sitcom Success: The Perfect Pilot in 30 Days. In part 8 of this 10-part series, continue writing with Act II.

If you have ever wondered if you could write a perfect pilot fast – the answer is yes! Join Marilyn Horowitz for: Sitcom Success: The Perfect Pilot in 30 Days. In part 8 of this 10-part series, continue writing with Act II.

Want to learn more? Then visit www.marilynhorowitz.com for valuable information, tips, and writing guidance.

Now it’s time to write Act II.

The first step is to once again review your beat-by-beat outline. Because you’ve answered the Four Magic Questions, you know exactly what needs to take place in both Act II, Part 1 and Act II, Part 2. So, take your beat sheet, transfer the scenes into whatever screenwriting program you’re using, and that will become your template for Act II.

In Act II of the Cheers pilot, Diane is stuck waiting at the bar while her boyfriend has gone home to his ex-wife to get the ring that he gave her, a ring that belonged to his grandmother and which he says he now wants to give to Diane. This is a terrific cliffhanger, of course, because all through Act II we’re wondering: Will he or will he not come back? Does your Act II have a similarly overarching dramatic question?

Remember, you’re going to work in proper TV format, so be sure you’re using a professional formatting program. In addition, read a few sample pilot scripts to see what they look like. TV producers know well how a TV pilot script should look, and your final script must be completely professional or it will end up in what used to be known as the “circular file”—in other words, the wastebasket.

So get to work and have fun. Try out different jokes, but above all keep the characters and story driving toward the climax. And don’t forget, this is Act II, so end it with another cliffhanger!

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Marilyn Horowitz is an award-winning New York University professor, author, producer, and Manhattan-based writing consultant, who works with successful novelists, produced screenwriters, and award-winning filmmakers. She has a passion for helping novices get started. Since 1998 she has taught thousands of aspiring screenwriters to complete a feature length screenplay using her method. She is also a judge for the Fulbright Scholarship Program for film and media students. In 2004 she received the coveted New York University Award for Teaching Excellence. Professor Horowitz has written several feature-length screenplays. Her production credits include the feature films And Then Came Love (2007).