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Foreign Film Perspectives

For a screenplay to sell, studios need to be certain there's an international market for the story. Foreign film perspectives are important for screenwriters to understand. Dive in and learn what the world-wide industry wants in storytelling.


Screenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 3Dimitri Vorontzov
Screenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 2Dimitri Vorontzov
Screenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 1Dimitri Vorontzov
Qi Cheng Zhuan Jie (起承轉結): The Chinese Four-Act Screenplay Structure, Part 2Dimitri Vorontzov
A Conversation with ‘ZAMA’ Writer and Director Lucrecia Martel at the New York Film FestivalSusan Kouguell
The Long Way Round to Writing a Short FilmCheryl Laughlin
INTERVIEW: Eva Husson Writer/Director of ‘Bang Gang: A Modern Love Story’Andrew Bloomenthal
STORIES WITHOUT BORDERS: Screenwriters & Media LiteracyJulie Gray
IMPROVISING SCREENPLAYS: The Dogme 95 Limitations ExerciseBrett Wean
ALT-SCRIPT: How to be Original, Part 1Clive Frayne
Writing Wrap Up: China Here Now!Paula Landry
Stories Without Borders: Emergent Israeli FilmsJulie Gray
Stories Without Borders: Five Israeli Films You Should See and WhyJulie Gray

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