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Foreign Film Perspectives

For a screenplay to sell, studios need to be certain there's an international market for the story. Foreign film perspectives are important for screenwriters to understand. Dive in and learn what the world-wide industry wants in storytelling.

Screenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 3 Dimitri Vorontzov

Screenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 2 Dimitri Vorontzov

Screenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 1 Dimitri Vorontzov

Qi Cheng Zhuan Jie (起承轉結): The Chinese Four-Act Screenplay Structure, Part 2 Dimitri Vorontzov

A Conversation with ‘ZAMA’ Writer and Director Lucrecia Martel at the New York Film Festival Susan Kouguell

The Long Way Round to Writing a Short Film Cheryl Laughlin

INTERVIEW: Eva Husson Writer/Director of ‘Bang Gang: A Modern Love Story’Andrew Bloomenthal

STORIES WITHOUT BORDERS: Screenwriters & Media Literacy Julie Gray

IMPROVISING SCREENPLAYS: The Dogme 95 Limitations Exercise Brett Wean

ALT-SCRIPT: How to be Original, Part 1 Clive Frayne

Writing Wrap Up: China Here Now!Paula Landry

Stories Without Borders: Emergent Israeli Films Julie Gray

Stories Without Borders: Five Israeli Films You Should See and Why Julie Gray