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Foreign Film Perspectives

For a screenplay to sell, studios need to be certain there's an international market for the story. Foreign film perspectives are important for screenwriters to understand. Dive in and learn what the world-wide industry wants in storytelling.

Script to Screen - Learn How to Make a MovieScreenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 3Dimitri Vorontzov
Script to Screen - Learn How to Make a MovieScreenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 2Dimitri Vorontzov
Script to Screen - Learn How to Make a MovieScreenwriting Kung Fu: Guanzi Shu (關子书) – The Chinese “No-Act” Screenplay Structure, Part 1Dimitri Vorontzov
Script to Screen - Learn How to Make a MovieQi Cheng Zhuan Jie (起承轉結): The Chinese Four-Act Screenplay Structure, Part 2Dimitri Vorontzov
Script to Screen - Learn How to Make a MovieA Conversation with ‘ZAMA’ Writer and Director Lucrecia Martel at the New York Film FestivalSusan Kouguell
Script to Screen - Learn How to Make a MovieThe Long Way Round to Writing a Short FilmCheryl Laughlin
Script to Screen - Learn How to Make a MovieINTERVIEW: Eva Husson Writer/Director of ‘Bang Gang: A Modern Love Story’Andrew Bloomenthal
Stories Without Borders by Julie GraySTORIES WITHOUT BORDERS: Screenwriters & Media LiteracyJulie Gray
Writing InspirationIMPROVISING SCREENPLAYS: The Dogme 95 Limitations ExerciseBrett Wean
Script to Screen - Learn How to Make a MovieALT-SCRIPT: How to be Original, Part 1Clive Frayne
Script to Screen - Learn How to Make a MovieWriting Wrap Up: China Here Now!Paula Landry
Stories Without Borders by Julie GrayStories Without Borders: Emergent Israeli FilmsJulie Gray
Stories Without Borders by Julie GrayStories Without Borders: Five Israeli Films You Should See and WhyJulie Gray

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