A WRITER’S VOICE: ‘Diary of a Teenage Girl’ – The Magic of Tone
Jacob Krueger discusses how tone does not begin with trying to be funny or trying to be sad, or trying to be dramatic, or trying to be melodramatic, or trying to make the audience cry or trying to do anything.
Tone is one of those really challenging things for writers, particularly on a movie like Diary of a Teenage Girl, which touches on some extremely controversial, taboo and uncomfortable subjects. In lesser hands, rather than being the delightful (but disturbing) movie that we saw at the theatre, Diary of a Teenage Girl would be a Lifetime movie: yet another tear jerking melodrama about a child victimized by an unfair world.
So in this podcast, I’ll be talking about how to control tone in your writing, whether you’re writing an original script, adapting a book or novel to screenplay form, or writing from the experiences of your own life. (In fact Diary of a Teenage Girl was adapted from a novel inspired by author Phoebe’s Gloeckner’s life experience as a child).
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The founder of Jacob Krueger Studio, Jacob has worked with all kinds of writers, from Academy and Tony Award Winners, to young writers picking up the pen for the first time. His writing includes The Matthew Shepard Story, for which he won the Writers Guild of America Paul Selvin Award and was nominated for a Gemini Award for Best Screenplay. To follow Jacob’s blog or learn more about his Screenwriting Workshops, Online Classes, and International Retreats please visit WriteYourScreenplay.com.
