Producer’s POV: Writer Fears – I’m Not Good Enough
Click to tweet this article to your friends and followers! Isn’t that every writer’s greatest fear? Producer Anne Marie Gillen recently posed this question to our Mastermind Group: “What keeps you…
Isn't that every writer's greatest fear?
Producer Anne Marie Gillen recently posed this question to our Mastermind Group: "What keeps you awake at night?What are those nasty thoughts that keep playing around in your head? The shoulda-coulda-woulda?"
It stimulated such an open and honest discussion about our communal fears and insecurities that we entrepreneurial artists all share but rarely give voice to, I thought I'd give it some sincere blog time.
"I'm not good enough" is often followed closely by its sibling: "What if my time has passed? What if I've blown all the opportunities that are realistically gonna come my way? Is it time for me to give up?
But then I remember - with hope - that no one paid any attention to Van Gogh's art except his brother, Theo (and his wife). Van Gogh sold one painting in his lifetime: Red Vineyard at Arles (The Vigne Rouge)for 400 francs. ONE. And he painted non-stop, around the clock - passionately, relentlessly, ceaselessly. It wasn't until after his death when Vincent's sister-in-law, Johanna Gezina van Gogh-Bonger, worked tirelessly to ensure his legacy was appreciated.
And what about John Kennedy Toole? Whose mother, who never lost faith in his talents, got her son's first and only novel, the hysterical A Confederacy of Dunces, published almost twenty years after he wrote it - over a decade after his suicide.
It won the Pulitzer Prize.
Toole wrote: "When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him."
When is it going to be your turn?
For those of you wondering this, I ask you: when will you devote the necessary quality time to your creative labors of love? I remind you of Mr. Holland's Opus: sometimes we're so caught up in the never-ending series of financial set-backs and energetic and focus challenges that life throws at us one after another that we forget how much our passion for our art can actually inspire those around us. Save us, in fact.
Don't let your precious projects languish.
FIND THE TIME.
Don't let your passion projects age out of being timely, relevant and marketable to the point where not even you are interested in them anymore.
MAKE THE TIME.
There are stories we each want to share. And whether your form of expression is the great American novel or a spec screenplay or a symphony or a painting or performance art - your original creative voice and unique perspective is likely what keeps you up at night (if it's not being given expression).
If your talents aren't sufficient - develop them. Get in the activity. There's nothing to it but to do it.
If you hear snippets of dialogue your characters would say everywhere you walk and see thematic juxtapositions everywhere you look; if intriguing jobs, interesting architecture and peculiar inanimate objects get mentally filed away as potential character bios, settings and props - do yourself the favor and get it on the page. Do us all the favor - and get it up on a stage.
Keep the faith.
Keep getting better.
Learn more. Constantly.
READ!
WRITE!
DO!
Raise the bar on your own talents and expectations.
Surround yourself with people who're smarter and more successful than you are.
And just keep plugging away.
We need to hear your stories.
- Get a New Story: Adjust Your Attitude About Rewrites
- Balls of Steel: Put Up or Shut Up
- Get a New Story: Don’t Wait for Writing Inspiration
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Heather Hale is a film and television writer, director and producer with over 80 hours of credits. She currently produces Lifestyle Magazine, the #1 life coaching broadcast television talk show. She wrote the $5.5 million dollar Lifetime Original Movie The Courage to Love (2000) which starred Vanessa Williams, Stacy Keach, Gil Bellows and Diahann Carroll. She directed, produced and co-wrote the million dollar thriller Absolute Killers which was distributed theatrically then sold at Walmart and Best Buy.
She has books published by the two major entertainment industry publishers: Story Selling: How to Develop, Market and Pitch Film & TV Projects (2019, Michael Wiese Productions) and How to Work the Film & TV Markets: A Guide for Content Creators (2017, Focal Press/Routledge).
The Independent Film and Television Alliance approved her as a qualified independent producer to pitch projects to NBCUniversal for their annual development fund. As IFTA’s Industry Liaison, Ms. Hale booked all the speakers for the 2013 American Film Market, including their flagship Conference series as well as launching their Producer’s Workshop. Ms. Hale served as the Vice President of Event Programming for NATPE (the National Association of Television Program Executives) for whom she also booked speakers and designed curriculum as well as consulting professionals to polish their pitch packages and sizzle reels to prepare them to pitch their TV concepts at their annual TV markets. She has written many “How to Pitch TV” articles and executive profiles for their membership newsletter and website.
A popular international speaker and in-demand consultant, Ms. Hale has taught custom pitching workshops to ABC/Disney Drama Executives, a weeklong screenwriting retreat in Australia (integrated with concurrent directing and acting programs). She teaches webinars and online classes for the Writers Store, Screenwriters University and Stage 32. She is a member of The Academy of Television Arts and Sciences (The “TV Academy,” the entity that awards the Emmys) and ShowBiz Mensans.