Captain America: The First Avenger
By Aaron Ginsburg
When screenwriting duo Christopher Markus & Stephen McFeely heard that Marvel Studios was rebooting America’s most iconic superhero, they chased the job ... and got it. But re–imagining Captain America proved a daunting task, with over 70 years of material on the Man Behind the Shield. Markus and McFeely recount their journey from research to set rewrites on Captain America: The First Avenger.
Cowboys & Aliens: A Genre Mash–up With Mark Fergus & Hawk Ostby
By Tom Benedek
With Cowboys & Aliens, the graphic novel had no famous characters, no famous situations. Scribes Mark Fergus and Hawk Ostby were thrilled with the idea and the chance to do a genre mash–up like no other. Here they explain how John Ford’s films and Steven Spielberg’s Close Encounters of the Third Kind helped inspire this summer’s highly anticipated sci–fi Western adaptation.
From Script to Screen: A Better Life
by David S. Cohen
Through 22 years of development, two screenwriters, a title change, and a page–one rewrite, Summit Entertainment’s A Better Life still remained remarkably true to its original concept. Roger L. Simon (story) and Eric Eason (screenplay) share their experiences scripting the East Los Angeles drama.
Dread Ringer: Summoning Up The Devil’s Double
by Bob Verini
Latif Yahia was given an offer he couldn’t refuse: Become the body double for Saddam Hussein’s vicious elder son Uday, or let his family suffer the consequences. Scribe Michael Thomas couldn’t pass up the chance to delve into the terrifying world of the Black Prince of Iraq and the man forced to do his bidding in the upcoming drama The Devil’s Double.
Taming the Script: Stranger Comics’ Sebastian A. Jones
by Joshua Stecker
Sebastian A. Jones, comic book writer and founder of Stranger Comics, talks about the challenges and advantages he faces when translating his tales of modern fantasy from the script to the screen.
Writers on Writing: Road to Nowhere
by Steven Gaydos
Writer Steven Gaydos recounts his experience scripting Road to Nowhere, a meta–noir crime tale about a filmmaker determined to make a great movie from a crime story written by his screenwriting pal. The story echoes the longtime working relationship and friendship between Gaydos and director Monte Hellman, who realized Gaydos’ vision for the dark and complex film.
Chemical Dependency: Breaking Bad
by David Radcliff
Script rounds up Breaking Bad creator Vince Gilligan and stars Bryan Cranston, Aaron Paul, and Dean Norris to discuss the mad science behind their award–winning AMC series.
How to Sell Out!
by Thomas Lennon & Robert Ben Garant
Everyone has an idea for a script, but most aren’t able to cash in on it. Comedy hyphenates Thomas Lennon and Robert Ben Garant (Reno 911!, Night at the Museum) provide 10 easy tips for writers on the “art” of selling out to the Hollywood studio machine and scripting movies for profit.
Script Secrets: No Dramatic Stone Unturned
by William C. Martell
Film is a dramatic medium, so as writers we should always be looking to mine those tense moments in our scripts. Columnist William Martell encourages scribes—in any genre—to show their stories’ drama, not try to avoid it, and he uses the comedy Forgetting Sarah Marshall as a great example of dramatic gold.